What’s in the Kit: 240mm Tele, Unboxed

A first look at the full system—built around iPhone’s periscope camera.
Today we’re laying the whole kit on the table. Not specs for specs’ sake, but the gear that actually changes what your phone can do: real optical tele reach with that unmistakable long-lens compression, plus macro options and filters that let you shape light the way you’re used to on a full camera rig—without carrying one.

TL;DR: It’s the tele look you can’t fake, in a pocketable system. Macro from ~10× up to ~40× when you stack the converters. Filters to keep shutter, motion and color under control.

The Heart:
240mm Periscope LensUltra

Designed specifically to pair with the iPhone’s periscope camera, the 240mm is about real optical reach—not a crop. You get long-lens telephoto compression (backgrounds pull forward, subjects separate cleanly), natural depth, and crisp detail that holds up when you print, post or grade. It’s the shot you normally pack a big tele to get—now riding shotgun in your pocket.

Use it for: wildlife from a respectful distance, athletes from the stands, stage and travel details, skyline layers, tight portraits with that compressed look.

Macro, the Pro Way:
Four Stackable Converters (≈10× → up to ≈40×)

Inside the kit are four thread-on, achromatic Macro Converters. Run one for clean ~10× with comfortable working distance; stack two, three or four to push magnification up to ~40× when the subject demands extreme detail. It’s the stacked diopter approach macro shooters use on DSLR glass—re-imagined for mobile.

Why it matters:

• Working distance: more room for light and steadier hands; less disruption to subjects.

• Flexibility: pick your power per scene—fine texture one minute, micro-worlds the next.

• Quality first: matched optics, tuned for the 240mm path.

Creator tip: at the highest stacks, treat it like serious macro—stabilize, control light, and breathe.

Control the Scene:
Three Included Filters

The 240mm kit ships with three thread-on filters so you can keep shutter, motion, and reflections where you want them:

• Soft VND – flexible light control with a smoother transition, great for run-and-gun exposure management.

• Hard VND – firmer attenuation when you want to lock a look in bright conditions.

• CPL (Circular Polarizer) – tames glare, deepens skies, and restores color on water, glass and foliage.

Together, they give you the same exposure and reflection control you expect on a dedicated long lens—without digging in your bag.

The System, Together

The pieces aren’t random accessories. They’re a coherent 5× ecosystem:

• The 240mm gives you the tele look you buy a long lens for.

• The Macro Converters extend that optical path into close-up work, from ~10× to ~40×.

• The filters keep the image stable, cinematic and color-true in real-world light.

It’s a setup you’ll actually carry: pocketable, quick to mount, and tuned to work as one.